Saturday, December 2, 2017

Movie review: 'Village of the Damned'

What happens in 'Village of the Damned' with the spoogly-eyed children

Originally published to Helium Network on March 15, 2011.

A chattering evil thing blows into the quiet but vibrant town.  You know you need to know what comes next. 

As the humble, happy residents prepare their harvest festival, every living being within the town limits suddenly faints, causing a fatal car crash and a self-barbecue on an outdoor grill.  Precisely six hours later, everyone, except for the aforementioned unfortunates, awakes.  Ten females are now pregnant.

The government sends in scientists who aren't telling all they know.  The scientific team, represented by Dr. Susan Verner, offers a stipend of $3,000 per month to each family that promises to submit its special alien offspring to the scientific team's regular examinations.  For this rural community in mid-twentieth-century America, it is a princely sum.  All of the women - apparently also influenced by coercive alien dreams - decide to carry their pregnancies to term.

Having conceived on the same day, the women all go into labor on the same night in a spartan makeshift blue tent with fabric partitions.  A teenager's delivery causes Dr. Verner to shortly declare "I'm sorry, it's stillborn" and to wrap up the remains and spirit them away before anyone else can see them.  She rebuffs the local doctor and the priest when they inquire after the dead baby.  The other nine women, however, give birth to apparently normal babies with pale, angelic, round, smiling faces that command the affection of their fathers and mothers, despite the fathers' lurking suspicion that they are not the biological parents.

Things go wrong when the children are a few months old.  They are not merely silver-haired and preternaturally intelligent, but far more hideously, they have metallic irises that can turn their evil spoogly gaze on anyone who affronts them and thereby control the person's mind to compel them to inflict self-injury.  Mara, sitting in her high chair, is offended that her mother served her soup that was too hot.  She stares at her mother until her mother sticks her own arm elbow-deep into the boiling soup pot and soon afterward by a similar psychic transmission she compels her mother to jump off a cliff.  Her father, Alan Chaffee, who is the town's physician, mourns the loss of his wife and he tells Dr. Verner that he will no longer participate in the medical research program.  Dr. Verner is undeterred from her overall program, reporting with melodramatic gravity that "it is now of interest to national security that we continue to carefully monitor their developing powers."

By the time the silver-haired children have reached the apparent age of about eight, they have put a stranglehold on the town, which has fallen into disrepair, marred by rusting vehicles and weeds.  The children walk in formation, four boy-girl pairs, led by Mara and followed by the unpaired ninth, a shy runt, David.  His powers are curtailed by the absence of the tenth child who supposedly died at birth and would have been his mate.  David is able to learn about empathy.  Although he causes the bereaved teenage mother of his stillborn mate to commit suicide with a pistol (simply by communicating the thought to her psychically), David has an empathic breakthrough when he understands that Dr. Chaffee mourns the loss of his wife just as he mourns the loss of his mate.

The townspeople become increasingly panicked by the mounting carnage and furious at the .  At the sparsely attended funeral of the teenager who killed herself, the priest accuses the silver-haired children of being mere facsimiles of human beings who have only a collective mind rather than individual souls.  Soon there is all-out warfare between the adults and the children.  The alcoholic school janitor hits a boy in the head with his broomstick; the children spoogly-eye him until he backs up a ladder onto the roof, falls forward onto a truck and impales himself.  The children request that their parents allow them to live in a barn outside town; when one worried father arrives to rescue his child, the children's eyes glow brightly like headlights and compel him to drive into a fuel tank.

Dr. Verner reveals to Dr. Chaffee the horrible dead alien baby that she apparently keeps in a jar, illuminated by blue light.  By further research she finds out that this sort of alien pregnancy has happened before and that all of those towns were eventually destroyed since "they couldn't get out without the children knowing."  This information is too little, too late.  Mara is able to read her father's mind and she is upset that he knows about the other failed towns.  "So the question becomes, should you be allowed to live?" she asks matter-of-factly.

Fulfilling a prophecy made by the janitor, the priest sets himself up as a sniper to kill the children, but they force him to turn his gun against himself, ironically committing the sin of suicide against which he preached.  The townspeople congregate in a mob with torches to destroy the children, but they cause the leader to self-immolate.  The police arrive and only massacre each other.  The children even down a helicopter just by looking at it.  Dr. Verner, at last, is punished by being compelled to vivisect herself under the full-strength glowing eyes of her research subjects.  Only David is too uncomfortable to participate.

With no time to lose, Dr. Chaffee cooks up a plan to beat the children at their own game.  The final scene has a special resonance for viewers who know that Christopher Reeve, the actor who played Dr. Chaffee, suffered a severe, life-changing accident one month after the release of this film.

The 1995 film is based on John Wyndham's 1957 novel The Midwich Cuckoos. The plot is rather predictable but it is still creepy. This was a box-office dud that nevertheless earned its place in B-movie history for its unabashed portrayal of spoogly-eyed children.

Friday, December 1, 2017

TV show review: 'Clarissa Explains It All'

'Clarissa Explains It All' had a good role model for teenage girls

These three episodes from 'Clarissa Explains It All' are a blast from the past. 'Clarissa' was a show featuring an articulate, funny teenager.

This article was originally published to Helium Network on May 3, 2014.

Image: Actress Melissa Joan Hart, 2010, at Alice Tully Center - NYC. Image by: Joella Marano from Manhattan, NY. Wikimedia Commons. © Creative Commons 2.0


"Clarissa Explains It All" was a young adult sitcom on Nickelodeon with episodes created 1991-1994. It starred a young Melissa Joan Hart (b. 1976) who played an articulate, independent, sassy teenager. She had one close friend, a male classmate named Sam, who typically ascended to her bedroom unannounced via a ladder. The two of them often talked about their minor teenage mistakes, which naturally loomed large to them. Clarissa came off as cool without necessarily caring about whether she was popular.

Viewers may remember that Clarissa noticeably dressed in her own brand of mix-and-match '90s fashion with big dangle earrings. (See this 30-second promo spot.) Her parents were called Janet and Marshall Darling, and her younger brother, a pompous nerd in pressed shirts whose attitude and image countered Clarissa's, was Ferguson.

"Darling Wars"

Speaking to the camera, Clarissa says that the etymology of "sibling" traces back to "the Old English 'sib', meaning 'dork'." Her brother Ferguson enters, and she tells him, "Ferguson, you'll have to leave. I'm busy demonstrating the rules of sibling dynamics." This is just the beginning of the "I'm older"/"I'm smarter" bickering that explodes when their parents leave them home alone together.

Clarissa spooks Ferguson by telling him spooky stories in the basement during a thunderstorm. They pillow-fight and booby-trap the house with water balloons filled with paint. Ferguson photocopies Clarissa's diary. They learn that this behavior is not very worthwhile, but probably inevitable.

"A Little Romance"

Clarissa's longtime friend, Sam, has trouble dating. He describes his fiasco of the day: "All I said was: 'Let's go climb the water tower and watch for UFOs...Next thing I know, she's gotta wash her hair." Sam suggests to Clarissa that they go on a date, on the basis that they already know they are compatible as friends. Clarissa doesn't feel right about it, but she says yes. The next day, they go to the movies and then to a diner, but the atmosphere is awkward. Fortunately, they agree on this postmortem, and they decide to continue being friends. As a closing monologue, Clarissa says to the camera: "It's that age-old question that stumped Sartre, 'Dear Abby' and Julia Roberts: Can friends date? And once they do, can they still be friends?"

As a subplot, Clarissa's father and younger brother work themselves up into the ridiculously mistaken belief that a neighbor has murdered his wife.

"The Understudy"

For someone who says that "embarrassment is my least favorite emotion," the annual school play is not something to be looked forward to.

"The chance to humiliate myself by singing off-key in dorky tights in front of everyone's parents....Last year's highlight was when I fell through the backdrop of the Swiss Mountains during 'Edelweiss' in 'The Sound of Music'. Then there was 'Bye Bye Birdie'. My costume split up the middle when I hit High C. Bye-bye, any shred of human dignity!"

Sam passes on the good news to Clarissa: She's been assigned to be the understudy for the lead role in "The Pirates of Penzance." As the backup, Clarissa hastily assumes that "the potential for public humiliation has been completely eliminated," and she doesn't bother to learn her lines. Thus she makes the bed in which she will have to lie.

Still a good show?

Even though the clothing, sets, videography and limited special effects clearly date the show to the early 1990s, this adds a pleasing campiness to it today. Clarissa's quick wit may still be inspiring to young adults. However, the limited scope of her escapades, often set within her own home, do not hold much interest for adults.

The most embarrassing 'Dr. Phil' episode

In January 2022, Dr. Phil had Matt Walsh on his show to make anti-transgender and anti-nonbinary arguments. It's toxic to me, so I've considered writing about why this was a bad thing to do and why the episode is bad, but I never seem to have the time nor emotional energy for it.

In April 2014, I wrote about "The most embarrassing 'Dr. Phil' episodes" and published my list to Helium Network, a platform that went offline later that year. I moved the article to this blog in December 2017, where it was viewed over 1,000 times. In April 2022, having become aware of the Matt Walsh episode, I took down the original "embarrassing episodes" list, as the Matt Walsh episode takes the cake in a bad way. On the original URL (the one you're looking at right now), I've replaced the original list with these new words.

Instead of a counter-screed, I make only a brief statement: The Matt Walsh episode is the most embarrassing Dr. Phil episode ever. Dr. Phil embarrassed himself, too, by hosting it.

 

The January 2022 episode

 

 

Where Matt Walsh stands in June 2022

 

Matt Walsh tweet June 6, 2022: This is why we can’t just oppose the transition of children. Yes that’s particularly evil but it’s also evil to do it to anyone of any age. This young woman was 19, a legal adult, when she was mutilated. Does that make it okay? Obviously not.

 

Where he stands in March 2023

He admits he's believed for "years" that "the trans movement is the greatest evil our country faces."

So, if he's telling the truth, he already believed trans people were the supreme evil when Dr. Phil invited him on the show to speak directly with a trans person.

 

 

Don't be anti-transgender. You embarrass yourself.

That's all I want to say.

(I do not have to blog here simply to prove that I can. If you are interested in my opinions and knowledge base on trans/queer matters, I have published three nonfiction books (see my bio) and over 500 blog posts about transphobia/homophobia. If you are genuinely interested in my thoughts, please read those, since they are already written.)

(Why are there words in this space, then? Again, because there were already words in this space for four years, and I no longer want them to be here, so I am explaining why I removed them.)

(Update, as of mid-2026: Ever since I removed the main content here four years ago, this post has continued to get about 10 visitors per month, so I'll leave it up.)

Actually, I do want to say one more thing: Please buy a book by a transgender author. Comments are closed to people who haven't done this.

The end.

red cross x meaning wrong

...Or is it?

"CNN’s Brian Stelter reported today that television personality Dr. Phil McGraw and his camera crew were embedded with ICE during the raids.

According to Dr. Phil’s right-wing TV channel, he was there “to get a first-hand look at the targeted operations.” He also had “exclusive” access to Tom Homan, the man known as Trump’s “border czar,” and recorded interviews with him before and after the L.A. sweeps."

— Heather Cox Richardson, June 9, 2025, Letters from an American, Jun 10, 2025

Thursday, November 30, 2017

Reactions to President Trump's retweets of Britain First

At about 3:30 in the morning on Wed., Nov. 29, 2017, instead of doing whatever it is that presidents are supposed to do in the middle of the night, President Trump retweeted three inflammatory videos posted by Jayda Fransen of the group Britain First. Fransen had captioned the videos:

Muslim migrant beats up Dutch boy on crutches!
Muslim Destroys a Statue of Virgin Mary!
Islamist mob pushes teenage boy off roof and beats him to death!

A half-hour later, journalist Piers Morgan tweeted at the president: "what the hell are you doing...?"

The New York Daily News said that one of the three videos “was long ago debunked". The New York Times asserted that the perpetrator in the first video "was not a 'Muslim migrant'...according to local officials, both boys are Dutch," and the other two videos were several years old.

NBC News said that they "could not verify Britain First's claims of what the videos showed. Asked whether the White House has a responsibility to verify information before sharing it, Press Secretary Sarah Sanders responded that 'whether it’s a real video, the threat is real and that’s what the president is talking about.'"

Some Republicans objected: Sen. Jeff Flake, R-AZ, said the retweets were “highly inappropriate” and Sen. Lindsey Graham, R-SC, said they were "legitimizing religious bigotry."

"No modern American president has promoted inflammatory content of this sort from an extremist organization," Peter Baker and Eileen Sullivan wrote for the New York Times. James Clapper, former Director of National Intelligence, said on CNN, "I have no idea what would motivate him to do that...To me, it's bizarre and disturbing, particularly when I think of him doing that in the context of North Korea, where moderation, and temperance and thought I think is critical."

Fransen, the deputy of Britain First, was convicted a year ago for abusing a woman wearing a hijab, and Paul Golding, the group's leader, spent time in prison, after which he stated: “I can promise you, from the very depths of my being, you will all meet your miserable ends at the hands of the Britain First movement. Every last one of you.” (Hope Not Hate)

Brian Klaas, an American who is a fellow at the London School of Economics, responded later the same day of the retweets:

“We are watching, in real time, the President of the United States using his power and platform to mainstream the vile ideologies of racist neo-fascism....if we continue to accept these reckless, divisive outbursts as part of our normal political discourse, then we will have answered the question as to whether we have any decency left too. We will have failed yet another test....Here in the UK, Britain First is correctly viewed by most as an extremist, racist hate group with no place in British politics....The UK has long been America's closest ally, with Brits and Americans fighting and dying together to defeat fascism. Now, Britain is being forced to turn away from the United States in horror as the President promotes neo-fascist hate.”


UK reaction

UK Prime Minister Theresa May said that "retweeting from Britain First was the wrong thing to do," and Sadiq Khan, the mayor of London, said that, from his perspective, "any official visit at all from President Trump to Britain would not be welcomed." Labour Party leader Jeremy Bernard Corbyn, Labour MPs Chuka Umunna, David Lammy, Stephen Doughty, Chris Byrant and Conservative MP Peter Bone also strongly criticized the president's actions.

Video of Parliament criticism (hosted on Facebook)

In a tweet addressed to the prime minister, Trump responded: "Don't focus on me...We are doing just fine!”


Explanation from Twitter

A Twitter spokesperson said the original tweets were allowed to remain online for this reason:

"To help ensure people have an opportunity to see every side of an issue, there may be the rare occasion when we allow controversial content or behavior which may otherwise violate our rules to remain on our service because we believe there is a legitimate public interest in its availability."

“It turns out that banishing the slur from public discourse was, in fact, important. Because now it’s back and it turns out that it does matter when subtext becomes actual text, when terrible people enable open hatred and bigotry, encouraging others to emulate them, degrading us all.”

[image or embed]

— David M. Perry (@lollardfish.bsky.social) December 22, 2025 at 9:00 AM

Wednesday, November 29, 2017

On Stoicism

The Stoics believed in confronting the fear of physical death by visualizing it in such detail until it no longer carried the power to terrify. This was promoted by Epictetus and popularized by Marcus Aurelius in the 2nd century CE. It carried down to the 6th century, as Parker Palmer explained: “The Rule of Saint Benedict, that ancient guide to the monastic life, includes the admonition to ‘keep death before one’s eyes daily.’”

A dissenting view from Nikki Stern:

"Those who suffer from posttraumatic stress can’t shut off their mental tape. No, none of us needs help in picturing death.

...

It’s a little unnerving not to know what death might feel like or when it might visit. But I don’t obsess about it, just as I have no sense of what follows. It could be anything — reincarnation, paradise, or conversion into pure energy and a free trip around the universe. In any case, death doesn’t terrorize me — at least not my own.

Dying is another matter.”

Whether or not we visualize the unwanted and unappealing, we must also visualize more positively what we strive for in life, as Mark Manson described:

"Death is the only thing we can know with any certainty. And as such, it must be the compass by which we orient all of our other values and decisions. It is the correct answer to all of the questions we should ask but never do. The only way to be comfortable with death is to understand and see yourself as something bigger than yourself; to choose values that stretch beyond serving yourself, that are simple and immediate and controllable and tolerant of the chaotic world around you. This is the basic root of all happiness."

Sources

Parker J. Palmer. A Hidden Wholeness: The Journey Toward an Undivided Life. San Francisco: Jossey-Bass, 2004. p. 161.

Nikki Stern. Hope in Small Doses: Reasonable Happiness in Unreasonable Times. Humanist Press, 2012.

Mark Manson. The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life. HarperOne, 2016. p. 206.

Friday, November 24, 2017

How literature teaches us to be better people

There's a reason that literature is considered part of a broad field called the "humanities": Literature helps us learn more about what it means to be a human being, and it teaches us to do a better job at managing our lives in our inescapably human incarnations.

A good story, whether a fable or a true account, plucks us from our own tired perspective and gives us a fresh take on the world. There is special value in taking the time to immerse ourselves slowly in the tale, as well as in turning the page to begin a new tale that will provide yet another perspective.

A journalistic approach

It shouldn't be surprising that true reports help one learn more about the world. In one sense, reading a true personal essay can be as educational as reading a newspaper. William Bradley, in an essay for Utne Reader called "Acquiring Empathy through Essays," says:

"Of course I never had the experience of serving in Her Majesty's Indian Imperial Police, but reading George Orwell's experiences in his essays 'Shooting an Elephant' and 'A Hanging' gave me some idea of what doing so was like, and why imperialism is such a terrible thing." Essays, Bradley goes on to say, "give us a record of someone else's consciousness" and enable us to "understand other people in general in a deep and significant way" even when we don't like what they're saying. One might, he warns, "wind up becoming a more patient and compassionate person as a result."

An inventive approach

Fiction, too, despite the official ruling that it is "not true" by definition, awakens readers to deep truths. One method by which this happens is the opportunity given to the reader to perceive and feel from another character's perspective. That the events "didn't really happen" is largely irrelevant; the reader may be able to feel them just as readily and powerfully as if they actually occurred.

In David Huddle's novel "La Tour Dreams of the Wolf Girl," a character reads a fictional story about a drowning, and when he retells that story, pretending that it is true, he feels the emotion behind the image. Huddle spins the story thus:

"He'd read about those boys' drowning in a book of short stories for his English class at Choate, but since he knew that Colleen wouldn't listen to him if he told her something he'd read in a book, he'd pretended to have been right there on the riverbank, watching. Now he was surprised at the emotion that welled up in him — as if he'd actually seen the blue faces of his fifth-grade classmates."

This emotional capacity isn't just a quirk of this particular fictional character. It exists in many people, and it can be used for more than lying and manipulation. More positively, it can be used to expand one's horizons to imagine what one might feel if one were in a certain situation, thus prompting one to prepare for future possibilities. It can also help one to learn empathy for others who have already experienced something similar.

In other words, reading the details of a drowning — even one that didn't really happen — can help one mentally prepare for dealing with emergency situations or confronting one's own mortality, and it can provide insight into what someone who has witnessed a drowning may have felt, thus opening a potentially better connection with that person.

A non-interactive approach

Fiction provides a kind of sustained moral exercise. It doesn't ask the reader for an immediate decision about what to do in the moment, as the story's concerns aren't necessarily tied to the reader's real world. Instead, by implicitly asking the reader how they would act in some other world, or by asking the reader merely to observe what other characters do in that world, the story affords the reader an extended period of time to carefully consider their thoughts: unrestrained, unobserved and free of consequences.

Annie Murphy Paul wrote in a 2013 article for Time, "Reading Literature Makes Us Smarter and Nicer," that research over the last decade by Raymond Mar and Keith Oatley has shown that people who read fiction are better able to understand others. This is partly attributable to the depth and speed at which the reader processes the story.

As Paul puts it:

"'Deep reading' — as opposed to the often superficial reading we do on the Web — is an endangered practice...different in kind from the mere decoding of words...A book's lack of hyperlinks, for example, frees the reader from making decisions — Should I click on this link or not? — allowing her to remain fully immersed in the narrative." There is much to be said in favor of the interaction provided by the Internet. Yet there is also a deeply human value in taking time to immerse oneself deliberately in a mental journey.

A diverse approach

In "Literature, empathy and the moral imagination", Heather McCrobie cites the work of Martha Nussbaum. "By encouraging us to exercise our moral imagination," McCrobie explains, "we develop our capacity to put ourselves in another person's situation so that those who are different to ourselves in circumstance, identity or practice can no longer be dehumanised." Then, "after we have 'lived' people through literature, it is harder to find them alien or disgusting," because we have shared experiences or at least the impression or imagination of those experiences, and they have become human to us. It is furthermore significant that there are multiple stories - none of them able, on their own, to fulfill single-handedly the reader's need for stories. Humanity has many voices and perspectives, and that is exactly what books give us.

Literature improves our lives

Those who love to read know that a good book can lighten or darken one's mood, reveal layers of meaning in a simple sequence of events, and even change the course of one's life. If you want to increase your empathy and your sense of belonging to the collectivity of humanity, by all means, meditate, pray, talk to your friends, talk to your enemies — and consider reading a novel, too.

Originally posted to Helium Network on March 5, 2014.

Image: Jason Hutchens, Wikimedia Commons © Creative Commons Attribution license, version 2.0

Molly Worthen, in a Sept. 4, 2020 opinion for the New York Times, points out the complexities of empathy.

"Our capacity to see one another as fellow humans, to connect across differences, is the foundation of a liberal pluralist society. Yet skeptics say that what seems like empathy often may be another form of presumption, condescension or domination. In his 2016 book Against Empathy, the psychologist Paul Bloom argued that empathy can cloud rational judgment and skews toward people 'who are close to us, those who are similar to us and those we see as more attractive or vulnerable and less scary.' The scholar and activist bell hooks put the matter more starkly. White desire to feel Black experience is predatory, exploitative, 'eating the Other,' she wrote.

It’s impossible to perfectly inhabit another person’s experience. The important question is the value of the effort, and whether it leaves us separated by an asymptote or a chasm. Can a straight TV writer create an authentic gay sitcom character? If an author of European descent writes a novel from the perspective of Indigenous people, is it an empathic journey, or an imperialist incursion? 'I don't want to throw out what empathy is trying to do,' Alisha Gaines, a professor of African-American literature at Florida State University, told me. 'I'm very critical of it though. Empathy has to be considered in the context of institutions and power.'

* * *

The college students I interviewed for this story stressed the role of empathy in firing up their curiosity, critical thinking and self-interrogation. 'People often dismiss emotion as a weakness,' Andie Horowitz, a political science major at the University of Michigan, told me. 'But a certain level of emotion makes you interested in something, wanting to find the truth.'"

See also: The historian Lynn Hunt on how fiction promotes empathy.

See also:

"Moral analysis doesn’t silo fiction as something separate from life. It involves the same skills one uses to make decisions on a daily basis.

And that means that it exposes the reader in a way that a more academic analysis doesn’t. The reader who is unable to perceive the ethical nuances in a text or who is unable to sympathize with the characters’ struggles — the one whose comments inevitably begin with “Why didn’t they just …?” — is often the least empathetic and spiritually developed in their personal life.

And yet that exposure is exactly why it’s worth doing.

I don’t think the point of joining a book club is to improve our reading skills. That would be horribly empty, if we were just reading books in order to become better readers of books. I think we read books to become better people, and we can’t become better people unless we admit that we are flawed and human and insensitive and that we vitally need the perspective that this book is capable of providing."

"The Dreariness of Book Club Discussions," Naomi Kanakia, LA Review of Books, November 2, 2022

Novel Finding: Reading Literary Fiction Improves Empathy: The types of books we read may affect how we relate to others. Julianne Chiaet, Scientific American, October 4, 2013

In 2025, most Americans read fewer than four books. Brittany Allen, Lit Hub, January 5, 2026

"The most important work you will ever do on yourself will not come from a self-help book or even therapy. It will come when you choose to start noticing and caring about things outside of yourself.

Therapy and self-help literature can only take you so far. Therapy only works if you use the tools your therapist is trying to share with you."

— Get Out of Your Head and Head Out Into the World: Life changes when you start noticing what’s happening outside, Jason McBride, Weirdo Poetry, May 24, 2026

Still unconvinced that God exists: Holes in the argument from objective moral values

Within the "Conversations with Matt DeLockery" Christian podcast available free on iTunes, four episodes titled “Looking for a God” (Parts 1-4) deserve a little attention, although, as I show below, they fail to present a convincing argument for the existence of God. Together, the episodes total one hour, and they were released on four different dates in October and November 2017.

'1 - Intro to the Moral Argument'

The first episode is a solid introduction. DeLockery's stated intent is to examine whether human behavior implies God's existence. He believes that God’s existence is “probably the most foundational question there could possibly be on any subject, because it touches on everything else,” especially the question of whether human purpose is given to us or whether we invent it for ourselves and the question of the afterlife. He explains the importance of critical thinking and gives a brief overview of common arguments about God’s existence. He says that, in discussions about whether morality is objective or subjective, "we’re looking for an answer to the question: Are there any basic foundational principles that say how humans should operate in relation to ourselves, other people, the world around us, and so forth?"

'2 - Objective vs. Subjective Moral Values'

The second episode has some flaws.

He defines "objective" as "hard fact": something that is true for people regardless of what culture they belong to and regardless of who recognizes it as an objective truth or who may believe it to be a subjective truth or falsehood.

He defines "subjective" as preference or opinion. Throughout the episode, apparently unwittingly, he goes back and forth about whether such preference is personal or social, and unfortunately this detail leads to the failure of his argument.

In this passage, he says the subjectivity can be either personal or social.

“Subjective moral values are things that we feel or are socially right or wrong. [emphasis mine] These vary from group to group and can and do change. Think about the phrase ‘everything’s relative.’ If a particular moral value is relative, then it is subjective. Moral values being ‘relative’ and moral values being ‘subjective’ are really two ways of saying the same thing. However, if a particular value is not relative, then it is ‘objective’.”

But then he asks listeners to ask themselves what they personally feel, their "immediate gut reaction," about the question of sex trafficking. Specifically, when they examine the source of ther moral opinion that sex trafficking is wrong, he asks listeners to decide: is their belief due to “social pressure,” a “social ‘no-no’,” or is sex trafficking “actually wrong”? Here, DeLockery implies that you can determine that something is objectively right or wrong based on what you subjectively feel. This is confusing at best. An "immediate gut reaction" is practically the very definition of subjectivity and is not a good way to demonstrate hard facts about the world.

The confusion is repeated:

“Are there things that are really good or bad, and are not merely based on social preferences? In my opinion, I think that there are many more values that are subjective or relative. However, not all are. I think sex trafficking is morally wrong. I think taking advantage of poor people is morally wrong. I think loving and caring for others is morally good. And I don’t think these things are merely preferences. They are not relative; they are not ‘to each his own.’ I think there really are at least some moral values that are objective because I think that’s how the world is. It’s not because I want to believe that there is something right or wrong with certain things. It’s because when I look at the world, I see [my emphasis] that there really is[my emphasis] something right or wrong with certain things. That is how I perceive the world when I look around me.”

By starting with the individual or social definition of subjectivity and, by some conscious or unconscious sleight of hand, dropping off the individual so that only the social remains as the hallmark of subjectivity, DeLockery allows the individual to be the arbiter of the objective. Even had he started with a purely social definition of subjectivity, this schema would not endure long, because the question would arise how a number of infallibly objective individuals suddenly become fallible and subjective when they organize into a society or culture.

Another problem is revealed by his choice of "sex trafficking" as an example. He assumes that his audience is sufficiently educated to recognize the phrase "sex trafficking" (defined as kidnapping and selling or exploiting people, often minors and often across international borders, for sexual purposes); that they recognize it is illegal in most countries; and that they are aware that everyone around them shares values that place them in opposition to it (likely, since he speaks to an audience interested in modern Christian apologetics). His example works reasonably well and makes its point rapidly precisely because everyone in the room already knows everyone else's general orientation on this topic. There are, however, people who practice sex trafficking; there are places where it is considered culturally acceptable to give girls to older men for marriage or as a form of collective punishment, and people from those cultures might have different definitions of "sex trafficking"; there are scenarios, such as war, in which kidnapping and rape become commonplace when they were not so before; and there are sociopaths or rebels among us who might know the socially appropriate thing to say when asked for their moral opinions but do not actually hold these feelings. So, asking the room to examine their personal feelings on a given moral question does not prove that the answer to that question is universally held. It matters how you ask the question, who is in the room, and how they choose to respond. It is not at all like placing a rock and asking someone to kick it to prove that it is a "hard fact." Anyone, regardless of their belief, culture, situation, or capacity, will trip over a rock or walk into a wall placed in front of them, but they will not all agree on values, which makes it difficult to prove that any given value is indeed objective. My own "immediate gut reaction" to value statements can always be contradicted by someone else's gut reaction and it will be difficult to arbitrate between us. It seems better to say that our moral intuitions matter and yet are fallible.

It is also confusing why the objective value is said to be true regardless of what anyone believes about it, yet apparently the only way to investigate the value is to ask "What do you believe about it?"

'3 - Evolution and Morality'

Believing that he successfully demonstrated in the previous episode that objective values exist, he now inquires where those values come from. According to him, God is one option:

“Now, there really isn’t much of an argument that a god could create moral values, or objective moral values. It’s pretty simple: If there is a god who can create everything, then creating a specific way that he wants his creatures to function is pretty straightforward. God makes man. God can provide a set of operating instructions to explain how man best functions. Pretty simple.”

In my estimation, this is not, to the contrary, at all simple because there is little to compare it to. As a human, I can engineer nonliving objects and, through selective breeding or environmental control, tinker with or influence living beings. In so doing, I control how they do operate, but I do not control how they should operate. The only way I can change values and rules about how any object or being should operate is by changing the values and rules of the society in which we participate — which is, by definition, in the realm of the subjective. If I were "God," it is not obvious how that status would enable me to create values and rules that are objective, nor how a value or rule could possibly be a hard fact about the world rather than just my opinion (albeit a divine opinion) about what I want my creations to do. Thus the question of whether God can create objective moral values cannot be dispensed with so easily. But it is dispensed with, so onward we go.

Could values have evolved? In examining the possibility that objective values resulted from "biological evolution," DeLockery doesn’t start with any pre-human or non-human type of animal. He only asks about how social learning might have occurred to promote human survival. He believes it’s clear that evolution — assuming that evolution is a real process, a position to which he does not commit — can produce subjective values (those that can “vary from place to place, from group to group”) but cannot produce objective values. At best, evolution could somehow aid us to "discover” objective values.

Now he changes his definition of “objective.” An objective fact, he says here, is one that “cannot change.” This contradicts a nuance of an example he gave in Episode 2. There, he said that the statement “gas-powered cars need oil to function properly” is an objective fact because of “the way gas-powered cars are currently made [my emphasis]...This does not change, and will not change, until the ways cars are manufactured changes [my emphasis].” The objective fact indeed can change to reflect the underlying conditions that support its validity. But here in Episode 3 he declares that an objective moral fact cannot change.

He says that, while evolution may help humans discover objective moral values, it can only produce subjective moral values. The type of values generated through evolution meet “the definition of subjective because it’s everything about how it affects the other person, how it is perceived by the other person, not whether it’s inherently the way that the human machine was made to function.” Note the assumption that the human machine was made at all (by a creator) which was assumed indirectly in Episode 2 when objective moral values were discovered by immediate gut reaction.

He concludes that, since objective values exist (as asserted in Episode 2) but could not have evolved (as asserted in Episode 3), they must have been created by God. He does not consider any alternative origins of values — say, for example, the result of a careful reasoning process.

'4 - God, Morality, and Euthyphro'

He presents Plato's Euthyphro dilemma: Can God arbitrarily choose values or is God held to a standard above himself? Neither is attractive, so DeLockery solves it with a third option: God is identical with those values. The values reflect God's character. The objective values with which we concern ourselves reflect the values of our Creator just as a painting reflects something of its painter. This is all merely asserted, not properly argued, and this is the shortest of all four episodes.

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