Showing posts with label imagination. Show all posts
Showing posts with label imagination. Show all posts

Tuesday, June 18, 2024

Elad Nehorai: Through 'Imagination. Belief. Connection,' we empower ourselves to create what we hope for

"If the Democratic, semi-liberal approach has failed us, then we need to stop fishing for hope in that lake. We can and must vote to prevent the fascist invasion, but that’s like keeping the walls from crumbling as the horde starves us as it lays seige.

That isn’t hope. Hope is seeing that, understanding why it has failed, and imagining what can replace it. Not the messianic fervor of the right, but also not the calm deliberation of the establishment.

Having imagination is phase one of that transformation. The second phase is belief. Believing we can do it. Believing we have the power to do it, whoever wins the election, whatever happens next. Third is finding the people to help make it happen.

Imagination. Belief. Connection. These are what give us power. This is what they want to kill in us. This is what will get us to making hope something real.

There are fascist invasion phases. It’s now time for us to start the transformative phase.

— Elad Nehorai, The Second Phase of the Fascist Invasion Has Begun: It's time to change how we think of the way fascists are winning. And, as a result, how we can fight back. Substack, June 17, 2024

On the theme of hope, I previously spotted:

"The hope is that, like in a special form of Tulpamancy, through an act of faith, this outside pole can be invested with enough power to pull the 'I,' or a mutilated form of it, outside of its world; through a leap of faith to force the 'I' to make a leap outside of the loop that constitutes it and its world. This outside is usually spatially represented but could be temporal too."

— Florin Flueras. "Dreaming the End of Dreaming." In Serial Killing: A Philosophical Anthology. Edia Connole and Gary J. Shipley, eds. Schism, 2015. p. 364.

ocean

See my article, Let's Make Hope. It's an 11-minute read on Medium.

Tuesday, April 4, 2023

Quotes: How does technology affect imagination?

Here's a perspective from 1998, warning of "the slow loss of the human imagination":

"No longer is anyone affected only by local events--instead our lives are both indirectly and directly impacted by events from around the world. A train derailment in Siberia impacts the interdependent economic global market; a mudslide that kills hundreds in Uganda finds relatives and friends grieving across the world; a food shortage in Mongolia due to changing climate conditions is a sign of a global environmental problem; a civil uprising brings in international military forces; and millions watch, helpless, via 24-hour underwater camera, as BP's oil pours into the Gulf of Mexico. Have we reached our limits yet?
With the Blogosphere feeding us a 24/7 supply of real and horrific events from places far away from home, and with over half of our waking hours spent online ingesting it, what is the impact of all of this toxic tabloid information on our minds? Surely the human brain is not wired to keep track of every event within the massive geography of the earth, yet we are bombarded day and night with media stories and video imagery from places many have never heard of and most of us have never seen. How does this onslaught of world news wreak havoc on our minds? An unintended result is again the slow loss of the human imagination. Not a loss in the ability to use the mind to view what is not in front of us, but the loss of our basic need to imagine anything at all. After all, who needs to imagine if the flood of overwhelming information and its images are already there?"
Carol K. Mack and Dinah Mack. A Field Guide to Demons, Vampires, Fallen Angels and Other Subversive Spirits. (1998) Arcade, 2011.

The fictional people on the Planet of the Apes, in a 1963 novel, were said to be "roused to fury by objects. Things that were manufactured provoked their anger as well as their fear." (Are we so different from them today?)

"There were now at least a hundred of them on the edge of the clearing. Those who were farther away then fell upon our launch with a fury comparable to that which had induced them to pull our clothes to pieces. In spite of the despair I felt at seeing them pillage our precious vehicle, I pondered on their behavior and fancied I could discern an essential principle in it: these beings were roused to fury by objects. Things that were manufactured provoked their anger as well as their fear. When they seized an instrument, they held it in their hands only long enough to break it, tear it apart, or twist it. Then they promptly hurled it as far away as possible, as though it were a live coal, only to pick it up again and complete its destruction. They made me think of a cat fighting with a big rat that was half dead but still dangerous, or of a mongoose that had caught a snake. I had already noted the curious fact that they had attacked us without a single weapon, without even using sticks."
Pierre Boulle. Planet of the Apes (1963). Translated by Xan Fielding. New York: Vanguard Press, 1964. p. 25. [Narrator, an intelligent human, is describing the unintelligent humans on the Planet of the Apes.]

We must cultivate imagination.

"So many things in our culture are there to take the place of your imagination. Have faith in new ideas."
Carrie Brownstein of Sleater-Kinney, in an interview with Ann Powers, "The Power of Music," The Nation, January 13, 2003. Posted online December 23, 2002.
ancient animal-headed sculpture

See also: "Darned If I Can Tell You How Magic Works". It's a 3-minute read on Medium. Consider a paid membership on the platform.


By the way, on Twitter, does a tweet benefit more from being "liked" or "retweeted"? As of 2023: @AlexandraErin

Just looked this up for silly reasons and found that 40% or more of land area in many US cities is parking lots 🤮 nextcity.org/urbanist-new...

[image or embed]

— Kevin J. CREATURE (@kevinjkircher.com) October 24, 2024 at 6:57 PM

Friday, November 24, 2017

How literature teaches us to be better people

There's a reason that literature is considered part of a broad field called the "humanities": Literature helps us learn more about what it means to be a human being, and it teaches us to do a better job at managing our lives in our inescapably human incarnations.

A good story, whether a fable or a true account, plucks us from our own tired perspective and gives us a fresh take on the world. There is special value in taking the time to immerse ourselves slowly in the tale, as well as in turning the page to begin a new tale that will provide yet another perspective.

A journalistic approach

It shouldn't be surprising that true reports help one learn more about the world. In one sense, reading a true personal essay can be as educational as reading a newspaper. William Bradley, in an essay for Utne Reader called "Acquiring Empathy through Essays," says:

"Of course I never had the experience of serving in Her Majesty's Indian Imperial Police, but reading George Orwell's experiences in his essays 'Shooting an Elephant' and 'A Hanging' gave me some idea of what doing so was like, and why imperialism is such a terrible thing." Essays, Bradley goes on to say, "give us a record of someone else's consciousness" and enable us to "understand other people in general in a deep and significant way" even when we don't like what they're saying. One might, he warns, "wind up becoming a more patient and compassionate person as a result."

An inventive approach

Fiction, too, despite the official ruling that it is "not true" by definition, awakens readers to deep truths. One method by which this happens is the opportunity given to the reader to perceive and feel from another character's perspective. That the events "didn't really happen" is largely irrelevant; the reader may be able to feel them just as readily and powerfully as if they actually occurred.

In David Huddle's novel "La Tour Dreams of the Wolf Girl," a character reads a fictional story about a drowning, and when he retells that story, pretending that it is true, he feels the emotion behind the image. Huddle spins the story thus:

"He'd read about those boys' drowning in a book of short stories for his English class at Choate, but since he knew that Colleen wouldn't listen to him if he told her something he'd read in a book, he'd pretended to have been right there on the riverbank, watching. Now he was surprised at the emotion that welled up in him — as if he'd actually seen the blue faces of his fifth-grade classmates."

This emotional capacity isn't just a quirk of this particular fictional character. It exists in many people, and it can be used for more than lying and manipulation. More positively, it can be used to expand one's horizons to imagine what one might feel if one were in a certain situation, thus prompting one to prepare for future possibilities. It can also help one to learn empathy for others who have already experienced something similar.

In other words, reading the details of a drowning — even one that didn't really happen — can help one mentally prepare for dealing with emergency situations or confronting one's own mortality, and it can provide insight into what someone who has witnessed a drowning may have felt, thus opening a potentially better connection with that person.

A non-interactive approach

Fiction provides a kind of sustained moral exercise. It doesn't ask the reader for an immediate decision about what to do in the moment, as the story's concerns aren't necessarily tied to the reader's real world. Instead, by implicitly asking the reader how they would act in some other world, or by asking the reader merely to observe what other characters do in that world, the story affords the reader an extended period of time to carefully consider their thoughts: unrestrained, unobserved and free of consequences.

Annie Murphy Paul wrote in a 2013 article for Time, "Reading Literature Makes Us Smarter and Nicer," that research over the last decade by Raymond Mar and Keith Oatley has shown that people who read fiction are better able to understand others. This is partly attributable to the depth and speed at which the reader processes the story.

As Paul puts it:

"'Deep reading' — as opposed to the often superficial reading we do on the Web — is an endangered practice...different in kind from the mere decoding of words...A book's lack of hyperlinks, for example, frees the reader from making decisions — Should I click on this link or not? — allowing her to remain fully immersed in the narrative." There is much to be said in favor of the interaction provided by the Internet. Yet there is also a deeply human value in taking time to immerse oneself deliberately in a mental journey.

A diverse approach

In "Literature, empathy and the moral imagination", Heather McCrobie cites the work of Martha Nussbaum. "By encouraging us to exercise our moral imagination," McCrobie explains, "we develop our capacity to put ourselves in another person's situation so that those who are different to ourselves in circumstance, identity or practice can no longer be dehumanised." Then, "after we have 'lived' people through literature, it is harder to find them alien or disgusting," because we have shared experiences or at least the impression or imagination of those experiences, and they have become human to us. It is furthermore significant that there are multiple stories - none of them able, on their own, to fulfill single-handedly the reader's need for stories. Humanity has many voices and perspectives, and that is exactly what books give us.

Literature improves our lives

Those who love to read know that a good book can lighten or darken one's mood, reveal layers of meaning in a simple sequence of events, and even change the course of one's life. If you want to increase your empathy and your sense of belonging to the collectivity of humanity, by all means, meditate, pray, talk to your friends, talk to your enemies — and consider reading a novel, too.

Originally posted to Helium Network on March 5, 2014.

Image: Jason Hutchens, Wikimedia Commons © Creative Commons Attribution license, version 2.0

Molly Worthen, in a Sept. 4, 2020 opinion for the New York Times, points out the complexities of empathy.

"Our capacity to see one another as fellow humans, to connect across differences, is the foundation of a liberal pluralist society. Yet skeptics say that what seems like empathy often may be another form of presumption, condescension or domination. In his 2016 book Against Empathy, the psychologist Paul Bloom argued that empathy can cloud rational judgment and skews toward people 'who are close to us, those who are similar to us and those we see as more attractive or vulnerable and less scary.' The scholar and activist bell hooks put the matter more starkly. White desire to feel Black experience is predatory, exploitative, 'eating the Other,' she wrote.

It’s impossible to perfectly inhabit another person’s experience. The important question is the value of the effort, and whether it leaves us separated by an asymptote or a chasm. Can a straight TV writer create an authentic gay sitcom character? If an author of European descent writes a novel from the perspective of Indigenous people, is it an empathic journey, or an imperialist incursion? 'I don't want to throw out what empathy is trying to do,' Alisha Gaines, a professor of African-American literature at Florida State University, told me. 'I'm very critical of it though. Empathy has to be considered in the context of institutions and power.'

* * *

The college students I interviewed for this story stressed the role of empathy in firing up their curiosity, critical thinking and self-interrogation. 'People often dismiss emotion as a weakness,' Andie Horowitz, a political science major at the University of Michigan, told me. 'But a certain level of emotion makes you interested in something, wanting to find the truth.'"

See also: The historian Lynn Hunt on how fiction promotes empathy.

See also:

"Moral analysis doesn’t silo fiction as something separate from life. It involves the same skills one uses to make decisions on a daily basis.

And that means that it exposes the reader in a way that a more academic analysis doesn’t. The reader who is unable to perceive the ethical nuances in a text or who is unable to sympathize with the characters’ struggles — the one whose comments inevitably begin with “Why didn’t they just …?” — is often the least empathetic and spiritually developed in their personal life.

And yet that exposure is exactly why it’s worth doing.

I don’t think the point of joining a book club is to improve our reading skills. That would be horribly empty, if we were just reading books in order to become better readers of books. I think we read books to become better people, and we can’t become better people unless we admit that we are flawed and human and insensitive and that we vitally need the perspective that this book is capable of providing."

"The Dreariness of Book Club Discussions," Naomi Kanakia, LA Review of Books, November 2, 2022

Novel Finding: Reading Literary Fiction Improves Empathy: The types of books we read may affect how we relate to others. Julianne Chiaet, Scientific American, October 4, 2013

In 2025, most Americans read fewer than four books. Brittany Allen, Lit Hub, January 5, 2026

"The most important work you will ever do on yourself will not come from a self-help book or even therapy. It will come when you choose to start noticing and caring about things outside of yourself.

Therapy and self-help literature can only take you so far. Therapy only works if you use the tools your therapist is trying to share with you."

— Get Out of Your Head and Head Out Into the World: Life changes when you start noticing what’s happening outside, Jason McBride, Weirdo Poetry, May 24, 2026

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