Showing posts with label redefining power. Show all posts
Showing posts with label redefining power. Show all posts

Saturday, January 30, 2016

Quotes on the human attempt to dominate nature

Lynn Margulis and Dorion Sagan:

Human beings are not particularly special, apart, or alone. A biological extension of the Copernican view that we are not at the center of the universe deprives us also of our place as the dominant form of life on the planet. It may be a blow to our collective ego, but we are not masters of life perched on the final rung of an evolutionary ladder. Ours is a permutation of the wisdom of the biosphere. We did not invent genetic engineering, we insinuated ourselves into the life cycles of bacteria, which have been directly trading and copying genes on their own for quite some time now. We did not "invent" agriculture or locomotion on horseback, we became involved in the life cycles of plants and animals, whose numbers increased in tandem with ours. ... The reality and recurrence of symbiosis in evolution suggests that we are still in an invasive, "parasitic" stage and that we must slow down, share, and reunite ourselves with other beings if we are to achieve evolutionary longevity.


R. W. Fevre:

"The real truth is that, not only has man failed to overcome nature in any sphere whatsoever but that at best he has merely succeeded in getting hold of and lifting a tiny corner of the enormous veil which she has spread over her eternal mysteries and secret. He never creates anything. All he can do is discover something. He does not master nature but has only come to be the master of those living things who have not gained the knowledge he has arrived at by penetrating into some of nature's laws and mysteries. Apart from all this, an idea can never subject to its own sway those conditions which are neessary for the existence and development of mankind; for the idea itself has come only from man. Without man there would be no human idea in this world. The idea as such is therefore always dependent on the existence of man and consequently is dependent on those laws which furnish the conditions of his existence.
"

George Alfred Wilkens:

"All nature stands on a par with man. I do not take too kindly to that portion of the first chapter of Genesis which puts into the mouth of God the injunction for man to subdue the earth and have dominion over the fish of the sea, and over the fowl of the air, and over everything that moveth above the earth. ... However, my quarrel is not really with Genesis and that it has God give to man dominion over all the earth, as it is with the implication that because of dominion we are 'better.' Whether one's lot is dominion or subjection doesn't really matter.
"

Mary Oliver:

"Nature...is the wheel that drives our world; those who ride it willingly might yet catch a glimpse of a dazzling, even a spiritual restfulness, while those who ... insist that the world must be piloted by man for his own benefit will be gathering dust but no joy.

"

Alan Watts:

"The rush of waterfalls and the babbling of streams are not loved for their resemblance to speech; the irregularly scattered stars do not excite us because of the formal constellations which have been traced out between them; and it is for no symmetry or suggestion of pictures that we delight in the patterns of foam, of the veins in rock, or of the black branches of trees in wintertime.


"

Sources

Lynn Margulis and Dorion Sagan. Microcosmos. California: University of California Press, 1986, 1997. pp. 195-196

R. W. Fevre. The Demoralization of Western Culture: Social Theory and the Dilemmas of Modern Living. London: Continuum, 2000. p 28.

George Alfred Wilkens. Justice of the Universe: A Philosophy in Accord with Science. Boston: Christopher Publishing House, 1957. p 131-132.

Alan Watts, Nature, Man, and Woman, New York: Vintage Books, 1991 (Copyright 1958). p 124.

Saturday, June 13, 2015

Quotes on the power of naming

What goes into naming? Steven Pinker:
"...naming an object involves recognizing it, looking up its entry in the mental dictionary, accessing its pronunciation, articulating it, and perhaps also monitoring the output for errors by listening to it."
This is a major locus of humans' sense of power. Kathleen Dean Moore:

"Children bring their dolls to life by giving them names. Names transform animals into family members. In some religions, nobody can have eternal life – not even tiny babies – until they have been baptized, given a name. In a single word – ilira – the Inuit people bring to tangible life the awe and fear that possess them when they see a polar bear approaching across the ice; in another word – kappia – they name the apprehension that seizes them when they cross thin sea ice. In Genesis, all the parts of the universe are drawn out of fluid chaos by their names. “God called the dry land Earth, and the waters that were gathered together he called Seas.” To be is to be named.

Yet no one is allowed to know God’s name. He is called yhwh, a word without vowels, an obvious fake, a name that does not name. It is an issue, clearly, of disproportionate power. The power to name is the power to create, and the power to destroy."

Indeed, until you call out a word like ilira or kappia to name the fear, or bear or ice or lightning to name the thing that inspires it, the waters of the mind may remain untroubled. Erich Maria Remarque:

I turn around. The man of faith and the man of science are sitting in the full brilliance of the ceiling light. For them the world is not a vague, quivering unrest, it is not a muttering from the depths or a lightning flash in the icy spaces of the void – they are men of faith and of science, they have sounding lines and plummets and scales and measures, each of them a different set but that does not matter, they are sure, they have names to put on everything like labels, they sleep well, they have a goal that contents them, and even horror, the black curtain in front of suicide, has a well-recognized place in their existence, it has a name, it has been classified and thereby rendered harmless. Only what is nameless or has burst its name is deadly.

"There's lightning," I say.

The doctor looks up. "Really?"

There is a difference between naming tangible things (ice, bear, lightning) and intangible things (fear). The intangible thing is already an abstraction. To name it is to bring it into awareness, but simultaneously to separate oneself from it further by pointing to it or representing it rather than feeling or knowing it directly. Joseph Chilton Pearce:
"...a name can be given something not immediately present to the senses. Naming is then a 'symbol-for-a-symbol,' a double-substitution."
Jonathan Lear called it a "systematic mistaking":

”What we do not understand, to put Wittgenstein's [language acquisition] insight in psychoanalytic terms, is that we are being persuaded, not by obvious truth, but by the force of our own projective identifications. We are creatures who cannot help but create mythic accounts of how our mind works, of how we hook onto the world, of what reality is really like. We project this imaginative activity onto the world and then mistake it for "the way things really are." In this way, we systematically mistake a bit of ourselves, our imaginative activity, for the world.

This systematic mistaking we tend to call "philosophy." So, for example, we begin with what we might call this core myth of meaning – that individual words are names – a myth only implicit in Augustine, made explicit by Wittgenstein; a fantasy so seemingly innocuous that we are unaware that from it flows a theory of mind, meaning, and world. For if words are names, and if names stand for a meaning, then for me to be speaking meaningfully must be for me to have ideas in my mind, the meanings, with which words are correlated. And thus we form a picture of the mind as a container of ideas which gives my words the meaning they have. It is as though the idea could exist independently of the word – just as the word without the idea would be a meaningless sound – and we form the picture of words naming objects in the world by being animated by ideas in the mind. Here is a picture of language hovering between mind and world. It is as though we were separated from the world, trying to talk about it. And from this picture, to give just one example, skeptical questions – "Are we getting the world right? How do we really know?" – become inevitable. And we take this inevitability to reflect the human condition: that it is our fate to live in separation from how things really are. Wittgenstein brings to conscious awareness that it is not so much our fate to live in separation as our fate to be tempted to create and be seduced by myths of separation. These are illusions we can work through and ultimately live without. In this way, proper philosophical activity is the working-through and undoing of "philosophy." In Freudian terms, remembering comes to replace repeating.”

The double-substitution or the step back might indeed be a systematic mistaking, but it is not necessarily a bad thing. It is part of what enables us to have a shared reality, not just a privately experienced reality. Fernando Pessoa:
”Civilization consists in giving an inappropriate name to something and then dreaming what results from that. And in fact the false name and the true dream do create a new reality. The object really does become other, because we have made it so. We manufacture realities. We use the raw materials we always used but the form lent it by art effectively prevents it from remaining the same. A table made out of pinewood is a pinetree but it is also a table. We sit down at the table not at the pinetree. Although love is a sexual instinct, we do not love with that instinct, rather we presuppose the existence of another feeling, and that presupposition is, effectively, another feeling.”
But the limits of human language can constrain our thinking unnecessarily. David Darling:
”In the West, we are very keen and adept at making maps – scientific maps of the reality in which we find ourselves. Boundaries, names, and labels have assumed with us enormous power. So we find ourselves inhabiting a world of bits and pieces, a world of apparently irreconcilable differences. And one of our principal misunderstandings stems from our use of the words "you" and "I". For what we fail to recognize, or have forgotten, is that "you" and "I" are purely constructs of our language, and of our linguistic interactions with others. "You" come about because we happen to be speaking English (or some similar tongue) and are therefore conforming to the rule that a verb must have a subject, and that processes are mysteriously initiated by pronouns. The syntax of Western language demands a clear indication of the subject-object relation. Therefore, every time we speak we reinforce our belief that every situation can be analyzed into a subject-predicate-object form. Our language forces us to be compulsive analyzers, to break down our experience of the world into composite elements. The fact that there might be entirely different modes of thinking usually escapes our attention. And yet such modes do exist.”
People may deliberately refrain from naming beings who they believe will die or who they prefer to block from their awareness. Kenzaburo Oe:

"At present the baby is registered simply as your first-born son, it would be a big help if we could have a name for our records."

A name! thought Bird. Now, as in his wife's hospital room, the idea was profoundly disturbing. Provide the monster with a name and from that instant it would seem more human, probably it would begin asserting itself in a human way. The difference between death while the monster was nameless and death after Bird had given it a name would mean a difference to Bird in the nature of the creature's very existence.

"Even a temporary name you're not certain about will do," the girl said pleasantly, though her voice betrayed her stubbornness.

"It can't hurt to name him, Bird," Himiko broke in impatiently.

Sometimes people do not want to name things that they perceive as monstrously distorted, perhaps because the naming confers legitimacy and helps establish a new concept. The newly named thing has increased power and could threaten the existing order. Felix Gilman:

It was also not strictly speaking a rose, though of all things of the made world, it most closely resembled a flower, and of all the flowers Liv knew, it most closely resembled a rose. It was more like the sketch of a rose, perpetrated by a person who'd never seen one; or, more precisely, it was like the product of processes that would, in the made world, have resulted inevitably in a rose, but out here were not so narrowly constrained.
* * *
The thing was hideous. It was ridiculous. It was beautiful. All those things at once, and none of them. It was not meant for her, and her opinions of it were beside the point. It would have been both futile and insulting to classify it; it was neither a rose nor a relative of the rose. It was perhaps in part the potentiality of a rose, or an alternative to the rose, or more likely something with no meaning at all....
* * *
"Name nothing," Creedmoor had warned her. "It's poor form out here to name things."

Jesse Sheidlower:

"Is a hotdog a sandwich? Yes! And no! Unfortunately that's the way it is.

When you're looking at broad classes of nouns like this, you're focused on what you'd call "typicity". For example, soup could be defined as 'liquid food'; this definition would include 100% of things that might even possibly be called "soup", but it would also include a lot of not-really-soup-y things—like cereal or martinis.

* * *

The general thing to know about dictionaries is that you're usually not trying to capture the complete and exact description of something; you're trying to get a general picture of what something means. This is hard enough for concrete nouns that we more or less know, like "horse" or "sandwich"; it's impossible with abstract nouns like "freedom" or "beauty".

* * *

...when you try to be exact—you get something useless.

So most dictionaries, that are written for native speakers and that assume a good-faith effort to understand the definition, give a reasonably broad definition, that will include most things that should be included and exclude most things that should be excluded.

* * *

...people sometimes put a lot of faith in dictionary definitions. In particular, courts use old dictionaries to try to determine what words meant at a time when laws were written. But that is very much not how dictionaries should be used. If it's this hard to determine what a "sandwich" is, what are we supposed to do about words like genocide, or to bear arms? Or woman in reference to a trans woman? People literally die because dictionaries are misused. There are ways to attempt to answer these questions—corpus linguistics, sociolinguistic interviews—but thinking that a dictionary is an exact map of reality is not a correct one of these."

Others will name to assert their own power and to prevent others from naming. Mary Daly:
Women have had the power of naming stolen from us. We have not been free to use our own power to name ourselves, the world, or God. ... To exist humanly is to name the self, the world, and God. The 'method' of the evolving spiritual consciousness of women is nothing less than this beginning to speak humanly – a reclaiming of the right to name. The liberation of language is rooted in the liberation of ourselves.

Or they will name an enemy to gain power over the unknown and the hostile. Carol K. Mack and Dinah Mack:
"In all cases, 'naming' the demon seems to reduce and dis-empower it. Modern explanations of the phenomena resulted in new names. The Id and the Shadow, included here with their methods of depossession, are redefined demonic species. The Buddhist Mara represents the demon both as an interior obstacle and potential teacher. A transformative approach to the Tibetan Buddhist Yama (Death) illustrates a radically different approach to the field."
Denise Lardner Carmody and John Tully Carmody:
"In many ancient cultures, to possess the name of something was to control it, to imprison it even in a ritual guaranteed, magically, to make it one's servant."
Starhawk:
"Name a thing and you invoke it. If we call the world nonliving, we will surely kill her. But when we name the world alive, we begin to bring her back to life.
Marge Piercy:
"I remember that I spoke to her about the power of naming. What we cannot name, I said, we cannot talk about. When we give a name to something in our lives, we may empower that something, as when we call an itch love, or when we call our envy righteousness; or we may empower ourselves because now we can think about and talk about what is hurting us, we may come together with others who have felt his same pain, and thus we can begin to try to do something about it."
Yet some things remain nameless because they can never be objects to us – the air we breathe, the water we fill ourselves with, the bodystuff that holds the water in. Josรฉ Saramago:
”Human vocabulary is still not capable, and probably never will be, of knowing, recognizing, and communicating everything that can be humanly experienced and felt. Some say that the main cause of this very serious difficulty lies in the fact that human beings are basically made of clay, which, as the encyclopedias helpfully explain, is a detrital sedimentary rock made up of tiny mineral fragments measuring one two hundred and fifty-sixths of a millimeter. Until now, despite long linguistic study, no one has managed to come up with a name for this.”

Sources

Steven Pinker. The Language Instinct: How the Mind Creates Language. (1994) New York: HarperPerennial, 1995. p. 316.

Kathleen Dean Moore, Riverwalking: Reflections on Moving Water. New York: Harvest, 1995. pp. 62-63.

Erich Maria Remarque. The Black Obelisk (1957). USA: Crest, 1958. pp. 79-80.

Joseph Chilton Pearce. Exploring the Crack in the Cosmic Egg: Split Minds & Meta-Realities. New York: Washington Square Press, 1974. p. 45.

Jonathan Lear. Open Minded: Working Out the Logic of the Soul. Cambridge, Mass.: Harvard University Press, 1998. pp. 12-13.

Fernando Pessoa. The Book of Disquiet. Edited by Maria Jose de Lancastre. Translated by Margaret Jull Costa. London: Serpent's Tail, 1991 (a collection of writings that were unorganized upon Pessoa's death in 1935). p. 53.

David Darling, Zen Physics: The Science of Death, The Logic of Reincarnation. New York: Harper Collins, 1996. p 142.

Kenzaburo Oe. A Personal Matter. (1964) Translated from the Japanese by John Nathan. New York: Grove Press, 1969. p. 146.

Felix Gilman. The Half-Made World. New York: Tom Doherty Associates, 2010.

Mary Daly, Beyond God the Father: Toward a Philosophy of Women's Liberation. Boston: Beacon Press, 1973. p 5-6.

Carol K. Mack and Dinah Mack. A Field Guide to Demons, Vampires, Fallen Angels and Other Subversive Spirits. (1998) Arcade, 2011.

Denise Lardner Carmody and John Tully Carmody. Mysticism: Holiness East and West. New York: Oxford University Press, 1996. p. 112.

Starhawk. Truth or Dare: Encounters with Power, Authority, and Mystery. New York: Harper Collins, 1987. p 8.

Marge Piercy. He, She, and It. New York: Fawcett Crest, 1991. p. 66.

Josรฉ Saramago. The Cave. (A Caverna, 2000). Translated from the Portuguese by Margaret Jull Costa. USA: Harcourt, 2003. p. 264.

Jesse Sheidlower, Lexicographer, Columbia University; Former Editor-at-Large, The Oxford English Dictionary, quoted in Notable Sandwiches #89: Hot Dog, Talia Lavin, The Sword and the Sandwich, March 15, 2024

Saturday, July 12, 2014

The struggle for power in 'The Hunger Games' trilogy by Suzanne Collins

In the "Hunger Games" trilogy by Suzanne Collins, the teenage heroine and narrator Katniss comes to grips with the power that the state wields over her life.


In the "Hunger Games" trilogy by Suzanne Collins, the teenage heroine and narrator Katniss comes to grips with the power that the state wields over her life. The state has no qualms about killing its own citizens, including children, in psychologically damaging ways. The state expresses no concern about fairness. Growing up, Katniss learns that “power” is the ability to squash someone like a bug. Her coming-of-age journey is about discovering her own power and the power of the masses to rise up.

In the first book, "The Hunger Games," she looks out for her mother and sister’s welfare but acknowledges that she’s "powerless against the reaping" – that is, the lottery that could call her sister into an arena to fight to the death as a form of entertainment for the state’s wealthier classes and as a method of subduing the rest of the population. The game "is the Capitol's way of reminding us how totally we are at their mercy." It is Katniss, not her sister, who ultimately winds up in the arena. Katniss is clear that “it's the Capitol I hate, for doing this to all of us,” not her fellow condemned tributes who are forced to slay each other. She believes that, if she survives, she doesn’t want to marry or bring children into this sort of world. In this situation, she says, "I feel my impotence. There's no way to take revenge on the Capitol. Is there?"

In the second book, "Catching Fire", Katniss must contend with having accidentally sparked a rebel movement. The cruel president wants words with her. Katniss suggests to him that, if her spontaneous, clever actions threaten the Capitol, then the Capitol “must be very fragile.” The president responds: "It is fragile, but not in the way that you suppose." The meaning of this isn’t immediately apparent, but he is referring to the Capitol’s derivation of its wealth from exploiting the poorer districts. If the districts were to rebel against the existing order, the Capitol would collapse economically. He demands that Katniss distract the public from the rebellion she has inadvertently started by pretending to be a silly girl in love. He wants her to provide an alternate interpretation of her actions in the arena: she is to say that she was motivated by personal passion, not by political beliefs. He does not make his agenda quite this explicit, but Katniss gets the idea. She knows she must do as he says.

The state uses violence, swiftly and publicly, to make its points. After her friend Gale is publicly whipped, she reports that “most of the square has emptied, fear getting the better of compassion. But after what just happened, I can’t blame anyone.” Katniss is not convinced that, even if she complies with the president’s orders and marries her ostensible fiancรฉ, Peeta, that she and Peeta (and perhaps Gale and everyone she knows) won’t be killed anyway. She must wear a prescribed wedding dress that may have “power” to “manipulate the crowd.” But what will happen to her when she is no longer useful to the president as part of his televised entertainments?

The police force known as the Peacekeepers attempt to kill her or at least contain her with an electric fence. Luckily, she manages to sneak out of it. She knows she could be arrested for any reason, “based on past crimes,” which include subsistence hunting, “but maybe he has to have something really irrefutable to do it, now that I’m a victor.” In other words, Katniss feels her power rising. Having survived the Hunger Games and gained the status of a victor, she is a public figure. She begins merely as a celebrity. If the state arrests her for no reason, she may become a symbol, inflaming a rebellion. This status gives her bargaining power.

Information is also presented as a kind of power. In this story, the useful information regards how the state is attempting to corner and kill the rebels, including through hostile people who may appear to be individually motivated but whose fundamental reason for violence traces back to the fact that they live in an oppressive state. One of the most dangerous mistakes is to misjudge someone’s true loyalties or intentions.

In the third book, "Mockingjay", the rebels have joined an underground society to stay alive. They talk about forming a democracy, but for the moment the social system is based on precise control of everyone’s diet and daily schedule. When Katniss sees someone bruised, she remembers “how impotent I am.” Yet this sensation is turned on its head when she realizes that an up-and-coming leader must “publicly remind her people that I am not in control.” As a symbol of a revolution, “I have a kind of power I never knew I possessed,” she thinks. This enables her to make a public statement in favor of the rebels declaring “freedom” from the Capitol.

The Hunger Games trilogy is about the state having the power to decide who will be permitted to eke out survival and who will meet a precisely predetermined demise. It is about an awakening that life could be different and that individuals can have power to change the political situation. The uprising is not without violence, and the understanding of power within the story generally includes the capacity to physically defend oneself or to ally with someone who can.

Article originally posted to Helium Network on July 1, 2013.

In case you missed it

Have you seen inside the book 'To Climates Unknown'?

The alternate history novel To Climates Unknown by Arturo Serrano was released on November 25, the 400th anniversary of the mythical First ...